So, what is the key to connecting with the groove and why is it so elusive for many classical string players? Let’s start with the 2 nd half of that question. In fact, strings can easily hold down a groove without any rhythm section at all, as fiddle players and string bands can attest. String players can be just as effective in a rhythm section as a guitar player. The old refrain, “strings can’t swing”, may be our past, but it doesn’t have to be our future. This fascinating article shines a light on how this situation has come about, and how the new pedagogy will enable any player to develop the tools needed to become a Total Violinist.Ĭontrary to popular belief, string players can swing, they can groove and they can rock out. Tracy Silverman’s books are destined to greatly broaden the role of stringed instruments in music making across genres, by enabling classical players to expand their repertoire of techniques. Because of this, the violin and other bowed string instruments have essential taken their place as melodic instruments, with little to no role in providing rhythm to an ensemble. Simply put: There was no defined pedagogy for learning the rhythmic bowing required for non-classical styles, such as jazz, rock and others. We invited legendary electric violinist Tracy Silverman to tell us about what inspired him to create his groundbreaking new books on Strum Bowing.

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